The Song of Meditation

A COMMENTARY BY AMAKUKI SESSAN ABBOT AMAKUKI delivered these lectures over the Kyoto Radio early in the 1930’s, and soon afterwards revised them for publication. There are certain peculiarities of style for which the reader should be prepared. To illustrate the Zen principle that sacred and everyday are not distinct, he sets the sonorous Chinese monosyllables of the sutras against light Japanese colloquialisms; compassion and irony, sublimity and familiarity, are deliberately juxtaposed. He has a special technique of repetition of a key phrase in different contexts; this is a hint for working on the koan. Another well-known feature of Zen style is to punctuate a narrative with short comments, sometimes no more than ejaculations, to point the incidents of the story. Readers will notice the fondness for a concrete illustration rather than a universal principle, and for action rather than abstraction; these are characteristic of Japanese Zen, particularly in its …

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